Prior to photography, Donald Weber originally trained as an architect and worked with Rem Koolhaas’ Office for Metropolitan Architecture (OMA) in Rotterdam, The Netherlands. He is a photographer whose work explores our environment and the trail it leaves in human societies as it rips its way to the future. Weber is the author of four books. His first, Bastard Eden, Our Chernobyl, won the photolucida Book Prize and asked a simple question: what is daily life actually like, in a post-atomic world? His next book, Interrogations, about post-Soviet authority in Ukraine and Russia, has gone on to much acclaim; it is included in Martin Parr and Gerry Badger’s seminal ‘The Photobook: A History, Volume III.’ His latest book, ‘Barricade’ is a collaboration about the smoking language of the Ukrainian Revolt’s siege apparatus, released fall, 2014. ‘War Sand’ is about forensic inquisitiveness and existential wondering beyond the endless quiet that lies beyond the flare of bold historical events. He is the recipient of numerous awards and fellowships, including a Guggenheim Fellowship, the Lange-Taylor Prize, the Duke and Duchess of York Prize, two World Press Photo Awards, PDN’s 30, was named an Emerging Photo Pioneer by American Photo and a finalist for the prestigious Scotiabank Photography Prize- His diverse photography projects have been exhibited as installations, exhibitions and screenings at festivals and galleries worldwide including the United Nations, Museum of the Army at Les Invalides in Paris, the Portland Museum of Art and the Royal Ontario Museum. He is a dedicated teacher and is noted for his ongoing series of lectures and workshops and a frequent trainer with World Press Photo. Currently Don is working on his next projects, War Sand, about historic sacrifice, and the meaning of war in our modern world and The Drowned City, which explores the City inundated by its technological future. He is a member of the acclaimed VII Photo and is represented by Circuit Gallery in Toronto.